by Why has Godzilla remained one of the world’s most iconic monsters for more than 70 years? Since his first appearance in 1954, the King of the Monsters has transformed from a terrifying symbol of nuclear destruction into a monster who sometimes protects humanity, fights other giant creatures, and even displays surprisingly adorable behaviour.
With the Japanese theatrical release of Godzilla Minus Zero (Godzilla-0.0) on November 3, 2026, the franchise has reached another important milestone. The latest film continues the story of Godzilla Minus One (2023), bringing the terrifying monster back to postwar Japan. It also provides another opportunity to look back at the long history of Godzilla and understand how his character has changed alongside society.
Viewers who have watched Shin Godzilla (2016) or Godzilla Minus One (2023) may remember the overwhelming fear created by the monster. In these films, Godzilla is not simply an opponent for a group of heroes to defeat. He is more like a natural disaster: an unstoppable force that destroys cities, overwhelms governments, and leaves ordinary people struggling to survive.
Some viewers may even have been surprised by how frightening Godzilla could be.
On the other hand, people who grew up watching older Godzilla movies might associate him with colourful monster battles, heroic moments, and entertainment aimed at younger audiences. For them, Godzilla may be the giant monster who fights alongside other creatures to protect the Earth.
Interestingly, both interpretations are correct.
Throughout his history, Godzilla has appeared in many different forms. He has been portrayed as a symbol of nuclear destruction, a warning about environmental pollution, a destructive enemy, a reluctant defender of humanity, and even a surprisingly lovable creature.
So, how did the King of the Monsters change so dramatically? What messages did the different Godzilla film eras try to communicate? And why has this giant monster remained popular across generations?
Let’s explore more than seven decades of Godzilla history, from the original 1954 masterpiece to the latest film, Godzilla Minus One.
Godzilla’s Birth: A Monster Born from the Fear of Nuclear Weapons
November 3, 1954, is one of the most important dates in Japanese cinema history. On this day, Toho released the original Godzilla, directed by Ishirō Honda.
The film introduced a gigantic prehistoric creature awakened and transformed by nuclear testing. Godzilla emerged from the ocean and began attacking Japan, leaving destruction and fear wherever he went.
However, the original Godzilla was never intended to be just another giant monster.
The film was released less than a decade after the atomic bombings of Hiroshima and Nagasaki. Japan was still recovering from the devastation of World War II, while nuclear testing in the Pacific continued to create serious concerns about radiation and human safety.
One particularly important real-world influence was the 1954 Lucky Dragon No. 5 incident. The Japanese fishing boat was exposed to radioactive fallout from the United States’ Castle Bravo nuclear test at Bikini Atoll. The incident intensified public concern about nuclear weapons and radiation.
These fears influenced the creation of the original Godzilla.
In the film, the monster represents the destructive consequences of humanity’s misuse of science and nuclear technology. His radioactive breath, enormous physical strength, and ability to destroy entire city districts make him a terrifying symbol of a threat that humans themselves helped create.
Godzilla’s attacks on Tokyo are particularly memorable because the film presents the destruction as a human tragedy rather than simply an exciting monster battle.
People flee their homes, emergency services struggle to respond, and families face the consequences of a disaster they cannot control.
The film also introduces the Oxygen Destroyer, a fictional weapon developed by scientist Dr. Daisuke Serizawa. This device destroys oxygen in water and ultimately becomes the weapon used to defeat Godzilla.
However, its destructive potential creates another moral dilemma: should humanity use another terrifying weapon to defeat a monster created by the consequences of human scientific ambition?
The original film ends with a warning that Godzilla may not be the last monster of his kind if nuclear testing continues.
This serious anti-nuclear message established the foundation of the franchise. Godzilla was initially a disaster, a warning, and a reflection of humanity’s own mistakes.
The Showa Era (1954–1975): From a Terrifying Monster to a Hero
The first major period of Godzilla movies is commonly known as the Showa era, covering the films released between 1954 and 1975.
The original film was followed by Godzilla Raids Again in 1955. This movie introduced another giant monster, Anguirus, and established the idea of Godzilla fighting other kaiju.
The word kaiju is Japanese for a strange or mysterious creature and is commonly used to describe giant monsters in Japanese entertainment.
The next major turning point arrived in 1962 with King Kong vs. Godzilla. This was the third Godzilla film and brought two famous giant monsters together for an entertaining battle.
From this point onward, monster-versus-monster action became an increasingly important part of the franchise.
The original Godzilla had been a terrifying enemy of humanity, but the character gradually became more complicated. As additional monsters appeared, audiences began seeing Godzilla in battles that were not always about destroying human civilisation.
King Ghidorah Becomes Godzilla’s Most Famous Rival
One of the most famous monsters in the franchise is King Ghidorah, who made his first appearance in Ghidorah, the Three-Headed Monster (1964).
Unlike many earlier monsters inspired by familiar animals, King Ghidorah had a striking design featuring three heads, golden scales, two enormous wings, and powerful gravity beams.
His unusual appearance immediately made him one of Godzilla’s most recognisable enemies.
The film also marked an important change in Godzilla’s role. He joined forces with Mothra and Rodan to fight King Ghidorah, a dangerous space monster threatening the Earth.
This was a major step towards portraying Godzilla as a defender of the planet.
He was still destructive and sometimes dangerous to humans, but audiences could now cheer for him when he fought an even greater threat.
King Ghidorah subsequently became one of Godzilla’s most recurring enemies, appearing in multiple Japanese films and Hollywood productions.
Mothra: The Queen of the Monsters
Another major character in Godzilla’s history is Mothra.
Mothra first appeared in her own 1961 movie, Mothra, before facing Godzilla in Mothra vs. Godzilla (1964).
Unlike Godzilla, who was originally portrayed as a destructive force, Mothra is generally associated with protecting life and maintaining balance.
Her story also includes the Shobijin, two tiny priestesses who communicate with Mothra and represent a spiritual connection between the monster and humanity.
In Mothra vs. Godzilla, Mothra’s larvae play a crucial role in defeating Godzilla. This made the film an important entry in the franchise because it showed that Godzilla could be overcome by another giant creature.
Mothra later became an important part of the Hollywood MonsterVerse, appearing in Godzilla: King of the Monsters (2019), where she is associated with the title of Queen of the Monsters.
Minilla and the Rise of Godzilla for Children
As Godzilla became increasingly popular, Toho began developing films that could appeal to younger audiences.
One of the most noticeable changes came with Son of Godzilla (1967), which introduced Minilla, Godzilla’s young companion and adopted son.
Minilla had a much more child-friendly appearance than his enormous father. His relationship with Godzilla introduced humour and family-oriented storytelling into the franchise.
Instead of portraying Godzilla only as a terrifying monster, the films began showing him as a protective figure who could care for a younger creature.
This period helped establish the image of Godzilla as a character who could be enjoyed by children.
The growing popularity of television superhero programmes and the Japanese monster boom also contributed to the demand for colourful kaiju entertainment.
For many viewers who grew up during this period, Godzilla became less of a nuclear nightmare and more of a giant monster hero.
Hedorah: Godzilla Returns to His Role as a Warning to Humanity
Not every Showa film focused on light-hearted monster battles.
One of the most unusual and socially relevant entries was Godzilla vs. Hedorah (1971).
The film introduced Hedorah, a monster created from pollution that grows stronger by consuming toxic waste and industrial contamination.
Hedorah could change forms and develop into an increasingly dangerous creature. His appearance represented the environmental problems facing Japan during a period of rapid industrial development.
The film explored air pollution, contaminated water, industrial waste, and the consequences of humanity’s careless treatment of the environment.
In this respect, Godzilla vs. Hedorah returned to the original idea of Godzilla as a warning about human behaviour.
The monster was no longer simply connected to nuclear weapons. He also became part of a wider conversation about environmental destruction.
By the time the Showa series reached Terror of Mechagodzilla (1975), Godzilla had appeared in 15 Japanese films.
The series then went on hiatus.
Overall, the Showa era established many of the franchise’s most important elements: monster battles, memorable rivals, heroic team-ups, child-friendly entertainment, and stories with environmental or social messages.
The Heisei Era (1984–1995): Godzilla Returns as a Threat
After a nine-year break, Godzilla returned to Japanese cinemas in 1984 with The Return of Godzilla (also known internationally as Godzilla 1985).
This film marked the beginning of the period commonly called the Heisei Godzilla series or the Godzilla vs. series.
Unlike many of the later Showa films, the 1984 movie returned Godzilla to his original role as a terrifying enemy of humanity.
The film presented a more serious version of the monster and explored the political and military difficulties of responding to a giant creature attacking Japan.
Godzilla was no longer simply a character who fought other monsters. His presence created a national emergency involving government officials, military forces, and international political tensions.
However, the Heisei films did not abandon monster battles.
Instead, they combined serious themes with large-scale kaiju action. Godzilla fought a variety of enemies, including Biollante, King Ghidorah, Mechagodzilla, SpaceGodzilla, and Destoroyah.
Mechagodzilla and the Return of Mechanical Monsters
One of the most popular enemies in the franchise is Mechagodzilla, a mechanical monster designed to imitate Godzilla.
The character first appeared in the Showa-era film Godzilla vs. Mechagodzilla (1974).
Mechagodzilla became popular because he represented humanity’s attempt to create a weapon powerful enough to fight Godzilla.
The mechanical design, advanced weapons, and battles between the two monsters made him an important part of the franchise.
He returned in the Heisei period through Godzilla vs. Mechagodzilla II (1993), which introduced a new version of the mechanical monster.
The character later appeared in several other Japanese and Hollywood productions.
Godzilla’s Final Heisei Battle
The Heisei series reached a dramatic conclusion with Godzilla vs. Destoroyah (1995).
This film introduced Destoroyah, a monster connected to the Oxygen Destroyer from the original 1954 film.
It also featured Burning Godzilla, a powerful form whose body was overheating and approaching a catastrophic meltdown.
The film brought the Heisei storyline to an emotional conclusion and remains one of the most memorable entries for long-time fans.
The Heisei era demonstrated that Godzilla could once again be frightening without losing the excitement of monster-versus-monster action.
Hollywood’s First Major Godzilla Adaptation: The 1998 Film
Godzilla’s popularity eventually led to a major Hollywood adaptation.
In 1998, director Roland Emmerich released GODZILLA, bringing the giant monster to a new generation of international audiences.
However, the Hollywood version made substantial changes to Godzilla’s appearance, behaviour, and origin.
Instead of the enormous, heavily built creature familiar from Japanese films, the 1998 monster was designed as a fast-moving reptilian animal with a different body structure and hunting style.
The film also focused more heavily on large-scale destruction, military action, and a science-fiction adventure atmosphere.
Although the movie was commercially successful, many traditional Godzilla fans were disappointed by the changes.
The character’s design and behaviour were considered too different from the original Toho monster.
Toho later distinguished this creature from its original Godzilla by using the name Zilla.
What Was Godzilla, King of the Monsters! (1956)?
It is also worth remembering that Godzilla had already reached American cinemas decades earlier.
In 1956, an Americanised version of the original Japanese film was released under the title Godzilla, King of the Monsters!
This version incorporated additional scenes featuring American actor Raymond Burr as journalist Steve Martin.
The new footage was edited together with scenes from the original Japanese film, changing the presentation of the story for international audiences.
It helped introduce Godzilla to viewers outside Japan and played an important role in establishing the monster’s international popularity.
The Millennium Era (1999–2004): Different Stories, Different Versions of Godzilla
After the 1998 Hollywood adaptation, Toho continued developing its own Godzilla films.
The Millennium series began with Godzilla 2000: Millennium in 1999 and continued until Godzilla: Final Wars in 2004.
One of the most interesting characteristics of this period was its willingness to experiment with different interpretations of Godzilla.
Many of the Millennium films were largely independent stories rather than chapters in one continuous timeline.
For example, Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001) presented Godzilla as a terrifying supernatural force associated with the souls of people killed during World War II.
This interpretation returned to the idea of Godzilla as a symbol of historical trauma and destruction.
Other films focused on futuristic weapons, mechanical monsters, and spectacular battles.
Godzilla Against Mechagodzilla (2002) and its follow-up, Godzilla: Tokyo S.O.S. (2003), developed a connected storyline involving a new mechanical Godzilla weapon.
The era concluded with Godzilla: Final Wars (2004), a large-scale celebration of the franchise’s monster history.
The film featured numerous familiar creatures and extensive action, making it one of the most ambitious monster-battle productions of its time.
The Millennium period demonstrated that Godzilla did not need to follow a single personality or timeline. Each new production could explore a different version of the King of the Monsters.
The MonsterVerse: Hollywood Reimagines Godzilla with Modern CGI
In 2014, Hollywood introduced a new version of Godzilla through Legendary Pictures’ Godzilla.
The film launched what is now known as the MonsterVerse, a shared cinematic universe featuring Godzilla, Kong, and other giant creatures.
Unlike the 1998 film, the 2014 production presented Godzilla as a gigantic, powerful creature with a design much closer to the traditional Japanese monster.
The film also used modern computer-generated imagery (CGI) to create enormous monster battles on a scale that would have been difficult to achieve using traditional techniques alone.
CGI refers to images and visual effects created with computers. It allows filmmakers to create creatures, environments, and action sequences that cannot easily be filmed in the real world.
The MonsterVerse continued with several major productions:
- Godzilla (2014)
- Kong: Skull Island (2017)
- Godzilla: King of the Monsters (2019)
- Godzilla vs. Kong (2021)
- Godzilla x Kong: The New Empire (2024)
The franchise also expanded through the television series Monarch: Legacy of Monsters.
Godzilla as a Powerful Guardian
The MonsterVerse has developed a distinctive version of Godzilla.
He is an ancient Titan who maintains the balance of the natural world and sometimes fights other creatures that threaten humanity or the planet.
However, this does not make him a traditional superhero.
Godzilla is not always concerned about protecting individual people. His actions are often driven by his own instincts, territory, and the balance between the giant creatures.
This creates an interesting relationship between humans and monsters.
People may depend on Godzilla to defeat a more dangerous enemy, but they still have to fear the destruction caused by his enormous size and power.
The MonsterVerse also gives Godzilla some unexpectedly entertaining moments.
His interactions with Kong, his confident attitude, and his distinctive body language have inspired plenty of fan discussions and humorous reactions.
These details have helped create a version of Godzilla who is frightening, powerful, and occasionally amusing.
Godzilla x Kong: Supernova – The Next MonsterVerse Film
The MonsterVerse is not slowing down.
The next major film, Godzilla x Kong: Supernova, is scheduled to arrive in cinemas on March 26, 2027.
Directed by Grant Sputore, the movie will continue the shared cinematic universe featuring Godzilla and Kong.
The announced cast includes Dan Stevens, Kaitlyn Dever, Jack O’Connell, Alycia Debnam-Carey, Sam Neill, Matthew Modine, and Delroy Lindo.
This will be the sixth MonsterVerse theatrical film, following the five previous movies.
It is important to distinguish this Hollywood franchise from Toho’s Japanese Godzilla films. Although both feature the same iconic monster, they develop their own stories, designs, and continuity.
Shin Godzilla (2016): A Return to Godzilla as a National Disaster
After the Millennium series ended in 2004, Toho returned to the character with Shin Godzilla in 2016.
Directed by Hideaki Anno and Shinji Higuchi, the film offered a very different interpretation of the monster.
Instead of focusing primarily on Godzilla fighting other giant creatures, the story portrayed him as an overwhelming disaster that Japan’s government struggled to understand and control.
The film begins with an unexplained incident in Tokyo Bay. Authorities initially believe that they are dealing with a natural phenomenon, but the situation soon becomes much more dangerous.
Godzilla emerges from the water and begins evolving through different forms.
His body changes as he adapts to his surroundings, eventually becoming an enormous creature capable of destroying large parts of Tokyo with radioactive attacks.
One of the most important aspects of Shin Godzilla is its focus on bureaucracy and emergency management.
Government officials must hold meetings, gather information, organise responses, and make decisions while the monster continues to advance.
The film uses these situations to explore the difficulties of responding to an unprecedented national crisis.
Godzilla is therefore more than a monster in this story. He represents a disaster that exposes the weaknesses of institutions and the challenges of protecting ordinary citizens.
The film became a major success and attracted viewers who might not normally have been interested in traditional kaiju movies.
It demonstrated that Godzilla could still be frightening and socially relevant in the modern era.
Godzilla Minus One (2023): The Monster Returns to Postwar Japan
In 2023, Toho released Godzilla Minus One, directed by Takashi Yamazaki.
The film takes place in Japan shortly after World War II, when the country is struggling to recover from the devastation of war.
Its protagonist, Kōichi Shikishima, is a former kamikaze pilot who survives the war but struggles with guilt and trauma.
His life becomes even more difficult when Godzilla appears and threatens the fragile recovery of the nation.
The title Minus One refers to Japan’s condition after the war: the country had already been reduced to zero, and Godzilla pushes it even further into negative territory.
The film combines a terrifying monster story with a deeply human drama about guilt, survival, responsibility, and rebuilding life after tragedy.
Unlike many large-scale Hollywood monster films, Godzilla Minus One keeps the emotional experiences of ordinary people at the centre of its story.
Its visual effects also attracted international attention.
The film won the Academy Award for Best Visual Effects at the 96th Academy Awards in 2024, becoming the first Godzilla film to receive that honour.
This achievement introduced the franchise to an even wider international audience and demonstrated the global appeal of Toho’s Japanese productions.
Godzilla Minus Zero (2026): What Happens After Minus One?
The newest Japanese Godzilla film is Godzilla Minus Zero, also stylised as Godzilla-0.0.
Directed, written, and overseen for visual effects by Takashi Yamazaki, the film continues the story established in Godzilla Minus One.
It takes place in 1949, two years after the events of the previous movie.
Japan has been struggling to rebuild following the devastation of World War II and Godzilla’s attack on Tokyo. Just as people begin to recover a sense of normal life, a new catastrophe threatens to destroy their hopes.
The official synopsis describes a country that has fought to return to normality, only to face another overwhelming threat.
The film continues the story of the Shikishima family and brings back familiar characters from Godzilla Minus One.
Returning and New Cast Members
The announced cast includes:
- Ryunosuke Kamiki as Koichi Shikishima
- Minami Hamabe as Noriko Oishi
- Yuki Yamada as Shiro Mizushima
- Kuranosuke Sasaki as Seiji Akitsu
- Jun Kunimura as Dr. Ogata
- Mio Tanaka as Tatsuo Hotta
- Sakura Ando as Sumiko Ota
- Masami Nagasawa as Makoto Aoyama
- Min Tanaka as Kanji Murakami
- Hidetaka Yoshioka as Kenji Noda
The returning cast helps maintain the emotional continuity of the previous film, while the new characters expand the world and introduce additional perspectives on the latest crisis.
A Major IMAX Milestone
One of the most notable technical achievements of Godzilla Minus Zero is that it is the first Japanese production filmed for IMAX.
The production used IMAX-certified digital cameras and was designed to take advantage of the format’s larger image presentation and enhanced cinematic experience.
This is particularly appropriate for a Godzilla film, where the enormous size of the monster and the destruction surrounding him are central to the storytelling.
Release Information
Godzilla Minus Zero opened in Japanese cinemas on November 3, 2026, the same date as the original 1954 film’s theatrical debut.
The North American release is scheduled to begin with special IMAX early-access screenings on November 3, followed by a wider theatrical release on November 6, 2026.
The film’s release also coincides with Godzilla Day, making it an especially meaningful occasion for fans around the world.
With Yamazaki returning as director, screenwriter, and VFX lead, expectations are high for another combination of large-scale monster destruction and human drama.
Godzilla Day and Godzilla Fest: Celebrating More Than 70 Years of the King of the Monsters
Every November 3, Godzilla fans celebrate Godzilla Day, commemorating the original film’s release in 1954.
The date has become an important occasion for Toho and the international fan community.
Celebrations include special announcements, merchandise, exhibitions, screenings, promotional events, and other activities dedicated to the franchise.
One major event is Godzilla Fest, which brings together fans and creators to celebrate the monster’s long history.
The 2026 event took place on November 3 at Takanawa Gateway City in Tokyo.
One of the year’s special projects involved creating a new Burning Millennium Godzilla suit for an upcoming short film. A crowdfunding campaign was organised to support the production, giving international fans an opportunity to participate in the project.
The new suit is particularly interesting because it continues the traditional practical-effects approach that helped make Godzilla famous.
Suitmation: The Traditional Art of Bringing Godzilla to Life
Before modern CGI became widely available, Godzilla was brought to life through a technique known as suitmation.
In this method, an actor wears a specially designed monster costume and performs inside detailed miniature sets.
The miniature buildings are constructed to resemble real cities. When Godzilla walks through them, the structures are broken or destroyed to create the illusion of a giant monster attacking a city.
This technique became one of the defining features of classic Japanese kaiju cinema.
Although modern productions frequently use computer-generated effects, practical monster suits remain an important part of Godzilla’s identity.
Godzilla Fest short films and special productions continue to demonstrate how traditional effects can still create exciting monster action.
The coexistence of suitmation and CGI shows that the franchise does not need to abandon its past to explore new technology.
Why Has Godzilla Changed So Much Over 70 Years?
Looking at the different film eras reveals that Godzilla is not a character with one fixed personality.
Instead, the monster has been adapted to match the interests, fears, and entertainment preferences of different generations.
Several factors explain this remarkable flexibility.
- Godzilla Reflects the Fears of Society
The original Godzilla represented the fear of nuclear weapons and radiation.
Later films explored environmental pollution, political instability, scientific responsibility, and the consequences of human interference with nature.
In Shin Godzilla, the monster became a symbol of a national emergency that challenged government institutions.
In Godzilla Minus One, he represented another catastrophe confronting a country struggling to rebuild after war.
Each interpretation connects the monster to concerns that audiences can understand.
- Godzilla Can Be Both a Villain and a Hero
One of the franchise’s greatest strengths is its ability to change Godzilla’s role.
Sometimes he is a terrifying enemy who must be stopped. At other times, he becomes a reluctant protector who fights creatures threatening the planet.
He can even become a father-like figure in stories featuring Minilla.
This flexibility allows filmmakers to create different kinds of stories without losing the character’s central identity.
- The Franchise Can Appeal to Different Generations
Children may enjoy Godzilla because of his enormous size, monster battles, and spectacular destruction.
Older viewers may appreciate the social messages, historical references, and deeper themes.
Meanwhile, modern audiences can enjoy the impressive visual effects and large-scale action of the MonsterVerse.
The franchise offers something different depending on the viewer’s age and interests.
- New Technology Keeps the Monster Fresh
Godzilla has survived major changes in filmmaking technology.
The original films relied on practical monster suits and miniature sets. Later productions introduced more sophisticated mechanical effects, optical compositing, and digital techniques.
Modern films combine detailed CGI, advanced cinematography, and large-scale sound design to create increasingly realistic monster sequences.
However, the basic appeal remains the same: a gigantic creature whose presence makes humanity feel small.
- Different Timelines Allow Creative Freedom
Godzilla is not limited to one continuous storyline.
The Showa, Heisei, and Millennium films have different continuity arrangements, while Shin Godzilla and the Minus One storyline provide separate interpretations.
The MonsterVerse also has its own connected universe.
This means new filmmakers can explore different versions of Godzilla without having to follow every event from previous films.
For newcomers, this is one of the most welcoming features of the franchise. You do not necessarily need to watch every Godzilla movie in release order to enjoy a particular film.
Godzilla Is More Than Just a Giant Monster
From his first appearance in 1954 to the release of Godzilla Minus ZOnein 2026, the King of the Monsters has experienced an extraordinary transformation.
He began as a terrifying symbol of nuclear destruction. During the Showa era, he became a popular monster-battle character and sometimes a defender of humanity. The Heisei and Millennium films explored different combinations of disaster storytelling and spectacular action.
Hollywood introduced new interpretations through the 1998 film and the later MonsterVerse, while Shin Godzilla and Godzilla Minus One returned to the monster’s darker origins.
Today, Godzilla exists in many different forms across movies, television, animation, comics, games, and special events.
He can be a terrifying disaster, a powerful guardian, a destructive villain, a reluctant hero, or even a surprisingly lovable creature.
Perhaps this ability to change is the biggest reason Godzilla has remained popular for more than seven decades.
The monster reflects the times in which each film is made, while still retaining the unmistakable identity that audiences recognise.
Personally, my favourite is the MonsterVerse version of Godzilla. I enjoy his enormous presence and intimidating appearance, but I also love his surprisingly amusing moments. Whether he is curling up to rest, showing off his confidence around Kong, or reacting with small movements that make him seem almost like a giant animal, he has plenty of personality.
Now that Godzilla Minus Zero has arrived in Japan, the next chapter of the franchise has begun.
How will the latest film change our understanding of the King of the Monsters? Will it continue portraying him as an unstoppable disaster, or reveal another unexpected side of his character?
One thing is certain: Godzilla’s story is far from over.
Which Godzilla is your favourite? The terrifying original monster, the heroic Showa-era version, the powerful MonsterVerse King of the Monsters, or the frightening Godzilla from Shin Godzilla and Godzilla Minus One?
