by It’s a bitter ending, but does it make sense?
Nowadays, anime of various genres, such as otherworldly, romantic comedy, and science fiction, are broadcast. Still, even in the Reiwa era, one thing that is rarely seen is the “protagonist who gets what he deserves.” Let’s look back at the anime protagonists who are so hateful that they stick in our memories.
I’m sure people will hate me for this. Here are the mean faces of the “protagonist who got what he deserved” (3 photos). This is a shocking and strange work, “School Days.” When discussing this topic, it is a must-see.
The protagonist “Ito Makoto” and his crush ” Katsura Kotonoha ” become lovers, but he eventually begins to dislike her due to a series of misunderstandings. He then has a physical relationship with ” Saionji Sekai, “a classmate who tries to mediate between the two, and a messy love-hate drama that makes you want to look away begins. The words of the final episode and Makoto’s date scene, which conclude the story full of passion, left everyone speechless.
The shameful end of ” Death Note “Speaks of protagonists who get what they deserve, but we can’t leave out “Light Yagami” from “Death Note.” Light, a high school student, obtains a Death Note that can easily take the life of anyone whose name is written in it, and to correct the distorted world, he calls himself “Kira” and writes the names of violent criminals one after another. Up to this point, he may have been “evil” but could also be called a “dark hero.”
However, by the time he takes the life of an investigator trying to uncover Kira’s true identity, he has completely gone astray, and even viewers who thought “Kira might be a necessary evil” initially can no longer sympathize with Light. That’s why many people were relieved by the ending of the story. The original comic of this work is compactly compiled into 12 volumes, making it easy to get started even now.
Saga of Tanya the Evil: She’s a young girl but not cute. Finally, look at Tanya Degurechaff from Saga of Tanya the Evil. The protagonist, a modern-day Japanese office worker, is pushed onto the tracks at a train station and loses his life due to his cold-hearted rationalism. Lacking empathy for others and faith in his creator, he is reincarnated as an orphan named Tanya Degurechaff in another world where magic exists by a supernatural being who calls himself God. Looking at the title alone, you might imagine a war story with a cute, beautiful girl, but Tanya retains her modern-day memories, so even though she is young, she is annoyingly rational and cold-hearted.
After joining the military in search of a way to survive, she demonstrates her ability as a commander, just like in a military movie. The clash of intentions between “Tanya, who is working hard to get promoted and live a safe life in the rear,” and “the military upper echelons who continue to send a patriotic battle maniac to the harsh front line as she wishes” is like a comedy sketch. It is appealing that it functions as a punishment for Tanya and as a laughing matter.
